[The Marble Faun<br> Volume I. by Nathaniel Hawthorne]@TWC D-Link book
The Marble Faun
Volume I.

CHAPTER XX
11/13

A full third of the Archangel's feathers should have been torn from his wings; the rest all ruffled, till they looked like Satan's own! His sword should be streaming with blood, and perhaps broken halfway to the hilt; his armor crushed, his robes rent, his breast gory; a bleeding gash on his brow, cutting right across the stern scowl of battle! He should press his foot hard down upon the old serpent, as if his very soul depended upon it, feeling him squirm mightily, and doubting whether the fight were half over yet, and how the victory might turn! And, with all this fierceness, this grimness, this unutterable horror, there should still be something high, tender, and holy in Michael's eyes, and around his mouth.

But the battle never was such a child's play as Guido's dapper Archangel seems to have found it." "For Heaven's sake, Miriam," cried Kenyon, astonished at the wild energy of her talk; "paint the picture of man's struggle against sin according to your own idea! I think it will be a masterpiece." "The picture would have its share of truth, I assure you," she answered; "but I am sadly afraid the victory would fail on the wrong side.

Just fancy a smoke-blackened, fiery-eyed demon bestriding that nice young angel, clutching his white throat with one of his hinder claws; and giving a triumphant whisk of his scaly tail, with a poisonous dart at the end of it! That is what they risk, poor souls, who do battle with Michael's enemy." It now, perhaps, struck Miriam that her mental disquietude was impelling her to an undue vivacity; for she paused, and turned away from the picture, without saying a word more about it.

All this while, moreover, Donatello had been very ill at ease, casting awe-stricken and inquiring glances at the dead monk; as if he could look nowhere but at that ghastly object, merely because it shocked him.

Death has probably a peculiar horror and ugliness, when forced upon the contemplation of a person so naturally joyous as Donatello, who lived with completeness in the present moment, and was able to form but vague images of the future.
"What is the matter, Donatello ?" whispered Miriam soothingly.


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