And I have made for my lady Beltis of Gebal the brazen altar which is in this temple, and the golden carving which is in front of this my carving, and the uraeus of gold which is in the middle of the stone over the golden carving.

And I have made this portico, with its columns, and the capitals that are upon the columns, and the roof of the temple also, I, Jehavmelek, king of Gebal, have made for my lady Beltis of Gebal, because, whenever I have invoked my lady Beltis of Gebal, she has heard my voice, and been good to me.

May Beltis of Gebal bless Jehavmelek, king of Gebal, and grant him life, and prolong his days and his years over Gebal, because he is a just king; and may the lady Beltis of Gebal obtain him favour in the sight of the Gods, and in the sight of the people of foreign lands, for ever! Every royal personage and every other man who shall make additions to this altar, or to this golden carving, or to this portico, I, Jehavmelek, king of Gebal, set may face against him who shall so do, and I pray my lady Beltis of Gebal to destroy that man, whoever he be, and his seed after him."[1324] The inscription of Marseilles, if it had been entire, would have been as valuable and interesting as any of these; but, unfortunately, its twenty-one lines are in every case incomplete, being broken off, or else illegible, towards the left.

It appears to have been a decree emanating from the authorities of Carthage, and prescribing the amount of the payments to be made in connection with the sacrifices and officials of a temple of Baal which may have existed either at Marseilles or at Carthage itself.

To translate it is impossible without a vast amount of conjecture; but M.Renan's version[1325] seems to deserve a place in the present collection.
INSCRIPTION OF MARSEILLES "The temple of Baal.