[History of Phoenicia by George Rawlinson]@TWC D-Link bookHistory of Phoenicia CHAPTER VII--AESTHETIC ART 26/60
For the home consumption statuettes of a similar character were made; but they were neither so rude nor so devoid of artistic merit.
There is one in the Louvre, which was found at Tortosa, in Northern Phoenicia, approaching nearly to the Sardinian type, while others have less exaggeration, and seem intended seriously.
In Cyprus bronzes of a higher order have been discovered.[766] One is a figure of a youth, perhaps AEsculapius, embracing a serpent; another is a female form of much elegance, which may have been the handle of a vase or jug; it springs from a grotesque bracket, and terminates in a bar ornamented at either end with heads of animals.
The complete bronze figure found near Curium, which is supposed to represent Apollo and is figured by Di Cesnola,[767] is probably not the production of a Phoenician artists, but a sculpture imported from Greece. The embossed work upon cups and _paterae_ is sometimes of great simplicity, sometimes exceedingly elaborate.
A patera of the simplest kind was found by General Di Cesnola in the treasury of Curium and is figured in his work.[768] At the bottom of the dish, in the middle, is a rosette with twenty-two petals springing from a central disk; this is surrounded by a ring whereon are two wavy lines of ribbon intertwined. Four deer, with strongly recurved horns, spaced at equal intervals, stand on the outer edge of the ring in a walking attitude.
<<Back Index Next>> D-Link book Top TWC mobile books
|