To reach these temples, four flights of stone steps were made up the mountain from opposite directions, each flight consisting of more than a thousand steps.

Traces of nearly four hundred temples have been found here, and many (perhaps all) were decorated with rich and delicate sculptures.
The whole country between this and Brambanam, a distance of sixty miles, abounds with ruins, so that fine sculptured images may be seen lying in the ditches, or built into the walls of enclosures.
In the eastern part of Java, at Kediri and in Malang, there are equally abundant traces of antiquity, but the buildings themselves have been mostly destroyed.

Sculptured figures, however, abound; and the ruins of forts, palaces, baths, aqueducts, and temples, can be everywhere traced.
It is altogether contrary to the plan of this book to describe what I have not myself seen; but, having been led to mention them, I felt bound to do something to call attention to these marvellous works of art.

One is overwhelmed by the contemplation of these innumerable sculptures, worked with delicacy and artistic feeling in a hard, intractable, trachytic rock, and all found in one tropical island.

What could have been the state of society, what the amount of population, what the means of subsistence which rendered such gigantic works possible, will, perhaps, ever remain a mystery; and it is a wonderful example of the power of religious ideas in social life, that in the very country where, five hundred years ago, these grand works were being yearly executed, the inhabitants now only build rude houses of bamboo and thatch, and look upon these relics of their forefathers with ignorant amazement, as the undoubted productions of giants or of demons.