In one corner a bronze fawn, as if wishing to drink, was inclining its greenish head, grizzled, too, by dampness.

The floor of the atrium was of mosaic; the walls, faced partly with red marble and partly with wood, on which were painted fish, birds, and griffins, attracted the eye by the play of colors.

From the door to the side chamber they were ornamented with tortoise-shell or even ivory; at the walls between the doors were statues of Aulus's ancestors.

Everywhere calm plenty was evident, remote from excess, but noble and self-trusting.
Petronius, who lived with incomparably greater show and elegance, could find nothing which offended his taste; and had just turned to Vinicius with that remark, when a slave, the velarius, pushed aside the curtain separating the atrium from the tablinum, and in the depth of the building appeared Aulus Plautius approaching hurriedly.
He was a man nearing the evening of life, with a head whitened by hoar frost, but fresh, with an energetic face, a trifle too short, but still somewhat eagle-like.

This time there was expressed on it a certain astonishment, and even alarm, because of the unexpected arrival of Nero's friend, companion, and suggester.
Petronius was too much a man of the world and too quick not to notice this; hence, after the first greetings, he announced with all the eloquence and ease at his command that he had come to give thanks for the care which his sister's son had found in that house, and that gratitude alone was the cause of the visit, to which, moreover, he was emboldened by his old acquaintance with Aulus.
Aulus assured him that he was a welcome guest; and as to gratitude, he declared that he had that feeling himself, though surely Petronius did not divine the cause of it.
In fact, Petronius did not divine it.